“In my new works, I try to create a world of pure subjectivity. Here, all different types and genders, all the great narratives and all the experimental compositions of shapes are merely segments in a space of endless, carefree games. Here, the search for authenticity loses all meaning, with the world appearing as a raging kaleidoscopic torrent of phenomena. Omnipresent dynamic movement makes all of these things equal and equally meaningful. This also makes any ‘message’ (in the artwork) into a naive fiction. After all, time is inseparable from the content of the work. This means that the spatial circumstances and our consciousness both change form constantly, and this inevitably exposes them to discursive transformations. These experiments help me towards a new understanding of feminism—which I see as a mentality and way of thinking radically different from the customary phallic model….” (Tamara K.E.)