Natalia Stachon
Visions and Revisions 13, 2019

  • Crayon on paper, mounted on Alu-Dibond, framed, 4 parts
  • each 56 × 42 cm
  • Acquired in 2020

The upheavals—that are still being felt today—in the art of the early modern period through to Minimal Art are evident in the work of Natalia Stachon: beyond mathematical three-dimensionality, space becomes sensation, as an interstice, as an atmospheric volume. The series Visions and Revisions shows institutions where society is ‘negotiated’—parliaments, universities, theaters and auditoriums. Stachon uses color not simply to represent a topographical realism but in order to showcase an artificiality of the spaces: All interiors are filled with a neon-colored, quite threatening blue light, which is broken sporadically by intensively beaming spectral colors. The line between fiction and reality is fluid. Without individual, acting subjects, the spaces are available, they are spaces of opportunity and possibility

Natalia Stachon in conversation with Nadine Isabelle Henrich, Berlin 2020

Natalia Stachon

* 1976 Kattowitz, PL
Lives and works in Berlin, D
Natalia Stachon
Drift 03, 2012
Acrylic glass, cord, tension straps, hooks, Ed. 1/1 + AP

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